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Extra resources for Amateur Photographer [UK] (29 September 2012)
We can continually enjoy this [Chinese] cultural wealth ... " 5 9 Despite its limitations, many Chinese Indonesians were greatly moved by the new visibility of their cultural traditions. " Envisioning Indonesia 22. "Throu gh Rain under Banana Leaf " (post card ), Su mba, ca. 1 9905. Photo by A9 us Leonard us. The practice of amateur photography embodies a tension between two concurrent but contradictory formulations of Indonesian belonging. By defining themselves as cosmopolitan practitioners of a quintessentially modern technology, postcolonial amateurs aligned themselves with a vision of national citizenship in which to be Indonesian was to participate in global modernity.
Ss For tl1e first time in tl1irty-two years, Chinese Indonesians could openly celebrate Imlek, tl1e Chinese New Year, and perform tl1e Cl1inese Barongsai and Liong dances. This new opeimess gnickly reverberated in the an1ateur photography world. In Yogyakarta, several groups affiliated with the Indonesian Democratic Party of Struggle (which used the Barongsai dance in its can1paign events as botl1 a popular entertainment and an invitation to the econonlically powerful C11inese conmmnity) started teaching the dance to youngsters of both Chinese and Javanese backgrotmd.
During the May 1998 riots in Solo in which many Chinese homes and shops were bttrned, he and his ~e had locked up their sewing supplies shop and barricaded tl1emselves into their home behind the storefront. A house just ten meters away was burnt to the ground. Visiting his home months after the riots I was struck by its fortifications: one had to go through several heav~y bolted metal doors to enter tl1e living areas behind t11e store. " But at other times he seemed doubtful, asking me, "In your opinion, do you tlllnk nationalism is ~por~ant?